When I looked through Neil Leifers photographs there
where three things that stuck out to me. He captures the emotions that his
subjects are feeling. He recognized when he had the chance to take a really
special photo. And he captured images that will always be iconic and will
always stir up emotion within people. These are the qualities I looked for when
taking my pictures. Since Neil Leifer took mostly sports photos, I figured that
a rugby game would be a great place to find these photos, especially since it
was a championship game. There were a few moments during the game where I knew I
would have a chance to capture a really special photo, one that had the chance
to be iconic. One of these moments is right before a scrum starts. Both teams
face each other, listen to call ``crouch, touch`` and then the final call;
Engage! When both sides hear this word come from the referee they are like
runners after the gun has gone off, and they hit as hard as possible to try and
drive each other back. In this picture I believe that I was able to capture
that intense lead up and nervous emotion felt by both sides, the moment right
before the ``Engage. ``
A Clever Little Title
Friday, 31 May 2013
Neil Leifer
Neil Leifer is the greatest sports photographer of
all time. He has taken numerous photos that have become legendary among sports
enthusiasts and the general public alike. His pictures have an incredible power
to them, as seen in his picture of Muhammad Ali after knocking out Sonny
Liston. He took risks to get photos, which sometimes paid off and sometimes
didn’t, but when they did, they were great. A good example of this is his photo
of Muhammad Ali after Knocking out Cleveland Williams, taken from above the ring.
But probably the biggest reason he is among the greatest photographers of all
time, is because he took pictures of icons, and those photos themselves became
iconic images. Neil Leifer`s ability to capture power in his photos, take risks
to get those photos and capture iconic images, make him one of the greatest
photographers of all time.
I believe that this photo exemplifies Neil Leifer’s
ability to capture power in his photos perfectly. This photo of Muhammad Ali
has become an iconic photo because of who Muhammad Ali is (an icon) and because
this photo describes the way Muhammad Ali is - powerful. This photo of Ali standing over a defeated
opponent makes it powerful enough but Leifer also manages to convey Ali’s
expression and emotion in the photo, as well as the emotion of the crowd. Ali
flexing his muscles gives the photo a sense of power and almost makes you
scared. All of these qualities combined, as well as the positioning of Ali
overtop of everyone else, makes Ali seem bigger, better and more powerful than
anyone else in the world. Power is a quality that is hard to find in most
pictures, but Neil Leifer manages to capture it.
Neil Leifer often refers to luck as being his
greatest ally, but he is being modest. His picture of Muhhamad Ali after
knocking out Cleveland Williams, taken from the rafters of the Astrodome, was
all guts and skill. Leifer had the idea to go up into the rafters of the
Astrodome and try and take an overhead picture. It was a huge risk, and may not
have worked out for him, but Leifer says that this is one of his favorite
photos of all time. This is why Neil Leifer is such a great photographer; he is
able to recognize when he has the chance to take a great picture, think
creatively about how to capture the story he wants the picture to tell, and
then take the risk to get that picture.
The reason we love iconic photos are because those
photos will stand the test of time and never lose the power of the message or
story they convey. Leifer has been able to capture a few of those iconic images
that won’t soon be forgotten. He focused mainly on sports, so he took pictures
of sports icons. Take for instance the photo of Vince Lombardi being carried off
the field on the shoulders of Jerry Kramer after winning the Super Bowl. This photo
has become iconic because it captures Lombardi’s personality and the way people
remember Lombardi. Lombardi is known for being one of the best coaches in NFL
history and possibly even the best coach in all of sports history, and in
general, just being a winner. This photo captures that perfectly; Vince
Lombardi is a winner and you can see that in this photo.
Neil Leifer was possibly the greatest photographer of
all time and his risky yet emotionally iconic images have become legendary. Leifer
was able to capture emotions in his photos, as seen in his photo of Muhammad
Ali depicting Ali`s power and his larger than life image. Leifer, although crediting
much of his success to luck, used his skill to recognize he had the opportunity
to take a picture that would be really special when he chose to climb to the
rafters of the Astrodome. His photos express the emotions of the icons he took
photos of, and will stand the test of time. So what makes a photographer great?
Is it luck, skill, taking risks to get images? For Neil Leifer it was combination
of these qualities that make him great.
Wednesday, 22 May 2013
OBEY FERG
I once again used the “FERG” idea for this project; just for
this one I used a different image and a different process. I used silk screening to put this image onto a
shirt this time. Unfortunately the silk screen did not work out as well as I had
hoped and the image came out a little messy on the shirt. So instead of putting
the image on just once I decided to add the image multiple times to make the
image look like it was meant to be like that to work with the shirt.
With this project I decided I wanted to make the image look
like the “obey” image. I loved the obey image for the simplicity, yet the
deeper meaning in the image. The simple words of “OBEY” work very powerfully
with the image. So I tried to recreate this image and parody it a little bit
with my words “FERG.” The creator of “OBEY” Shepard Fairey, a legendary street
artist originally printed this image on sticker and used as an experiment to
see how it would manifest itself. Well it manifested hugely as “OBEY” is now a
clothing brand. Maybe one day “FERG” will have gone through the same
manifestation.
Thursday, 16 May 2013
FERG
A few months ago I came up with a crazy idea. This idea was
to take a picture of my face put the words “FERG” (my nickname) on the bottom
and have this logo printed out on stickers. Then to put these stickers
everywhere and create an almost cult following. At first this was a ridiculous
idea which was as much of a fantasy as it was a true idea. At first I only
shared this idea with a few people, because honestly how self-obsessed could I
have become to actually consider putting my face on a sticker and spreading
that sticker everywhere. Well turns out I must be pretty self-obsessed, because
when the chance to use an alternative process and sell that piece arose, I knew
exactly what I wanted to do.
The first step in creating the shirt was too figure out what
I was going to put on the shirt. After many suggestions from friends (some of
which were pretty ridiculous). I decided on a picture that I had taken the year
earlier in grade 10 photo. This was a picture that I didn't really have any
need for at the time so I just hung it up in an English classroom, only to find
it still there a year later. I used Photoshop to add some lettering and add a
sepia tone to it. I printed the picture out on to the special iron off paper, followed the
ironing directions, and then, boom the first shirt was done. I made 3 more shirts
(4 in total) and have already sold 2 and others have placed orders just for different
sizes.
Monday, 6 May 2013
Layers of Hidden Truth
The process of a gel medium print is a long and drawn out process
which involves layering the gel medium over a photo. I chose the picture of the
ray bans because I believe that this picture represents that process, just in a
different context. It is said that looking into one’s eyes is like looking
through a window to the soul, well when you wear sunglasses you are covering up
those windows, and layering over any problems that could be seen through your
eyes. The process of creating a gel medium
is the same. I also tried to add some gold to the print as ray ban is often
consider a luxury brand and worn by people hoping to display that quality of
luxury.
Good or Bad?
![]() |
Nikon D3100, F/6.3, 1/160 seconds |
As we made our way down Dundas Street, taking pictures of
anything and everything that might make a good picture. We walked past the
police station and found this sign. I found the “No Fun” sticker on the sign
both funny and symbolic. It’s funny because 1. Someone put a “No Fun Sticker” on
an already boring sign and 2. Because someone is trying to defy the law with a
petty little sticker. It is symbolic though of the way people often feel about
the police, and of a free art form that can be seen in Toronto.
Brutality and racial profiling have become two very big
issues for police lately. Any look at a news source and you will see headlines
such as “To Protect and Hurt?” This photo describes a headline like that perfectly.
Do the police do more harm than good? That question is being asked every day
and that question is also being asked in this photo. This photo also could represent another news
worthy topic, how far can self-expression and art go before it crosses a line. The
subject of graffiti as art or as an illegal form of vandalism is a question
that often arises in the media. So is this a small harmless form of self-expression
or vandalism is a question that must be asked.
Monday, 29 April 2013
Irony and Beauty
The first photo is a very simple photo of a daffodil. Daffodils
often represent something not so simple though. Daffodils are often associated
with cancer as many charities such as the Canadian cancer society use daffodils
as their logo. I took this picture for the ironic sake that the subject and the
picture seem very simple, but in actuality the subject, and even the picture
represent something incredibly complicated. This photo breaks the rules because I did not use rule of thirds at all, I did not create depth of field, i just pointed, focused and shot.
The second picture dealt with the same ironic ideas as the
first one. When you see a bench like the one in the picture you often see
people sitting on it, these people are often not simple people, but people
siting and thinking deeply. But this bench was empty and simple and represented
that ironic picture of nothing. While there were no deep thoughts coming from
anything on the bench, I still believe the photo itself represented a deep
thought. This picture I literally did nothing but point at the bench and click the shutter, the picture is also a little off center and looks tilted.
The third photo I wanted to try and get as close to that field
of blue flowers as I could and make it look like a never ending sea of blue
flowers. I did this by basically putting the camera in the flowers and then
taking the actual picture I tried to keep the flowers off of rule of thirds but unfortunately it looks like it is. I thought there was a beauty to those pictures and
by showing some of them in focus and the rest out of focus I could show that
exclusive beauty best.
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